Plaster Residency at Guldagergaard, Denmark

At the beginning of March I packed my bags and hopped on a plane to Scandinavia for the first time. I flew into Copenhagen, looking down on snowy, fragmented islands gradually massing together to form land. It looked flat, and it was cold.

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Beautiful Nina Hole Sculpture, wood fired in situ, outside the farmhouse.

I arrived at Guldagergaard international ceramics research centre, pronounced Gool-ay-ago, by train and bus and foot, welcomed into a mildly chaotic world of 40 hour long wood-firings, unbridled artistic expression, huge amounts of expertise and a fantastic community of learning, sharing, warm people.

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Wonderful work in progress on genius NZ sculptor, Jim Cooper‘s desk.

A tiny world inhabited only by ceramicists, where you don’t have to explain or excuse yourself. There is just acceptance. It’s a magical place…and there are sculptures and objects from the tiniest porcelain chair model to the most enormous tiled archway, just bursting from every corner of the place.  I feel so inspired here.

I came to Guldagergaard because I want to expand my practice to incorporate my own-design slip ware. So, I signed up to do an Intensive Plaster workshop week in March, taught by the wonderful Harriet Caslin, and now I am back to complete a month’s residency for the rest of April, working with the skills I learnt.

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My coffee pot design, an elegant mid-century modern style tall form.

I’m currently working very hard on a project to produce my own coffee set – a tall coffee pot, a slender jug and an angular cup. The first stage is scale drawing on paper, the second stage turning a positive form on the lathe, then adding components such as spout or handle or surface detail, the third stage casting a mould – the negative; the final stage pouring slip into the mould to form a porcelain positive to fire and use. Currently I am turning on the lathe, hand carving and adapting using precisely scored and folded acetate areas, to fit my design drawings. It’s a lengthy process, and I’m not sure what the outcome will be… The photos below show plaster being mixed; the coffee pot ‘stock’ on the lathe during the initial stages of turning; the finished coffee pot form waiting to be carved and fitted out; the jug model with grooves carved in and acetate being fitted; the coffee cup form on the lathe, ready to be cut off.

I’m also indulging my long held desire to work with stained porcelain, casting a small kitchen ware range using found objects in a pastel palette, and using marbling on two elegant hand turned designs that I did during the workshop week – a tall beaker vase and a wide, conical serving bowl.

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Marbled yellow slip, just poured into handmade tall beaker mould.

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Sodapop jugs and containers in a pastel colour palette.

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Marbled and plain slips, all drying and waiting for first firing to test colours.

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Marbled tall beakers waiting to be fired – the colours will become more vibrant after the second high firing, although hopefully still subtle.

 

 

 

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New work arrayed…

My new porcelain hand thrown wares are building for the market season, as well as winging their way soon into the Platform Gallery in Lancashire for their Northern Star winter exhibition and Found Gallery in Dunbar in time for their winter show.

The Peapod and Dandelion versions of these thrown ceramics have cemented into the two designs I’m happiest with so it’s just going to be a case of trying to get faster at throwing them… Since getting back from sabbatical in July there has been a lot of work in the pipeline, building on the designs I began work on in Spring, and it’s satisfying to see it finally in the outcome stage.

Volcanic Yellow

I’ve been inspired for a while to try and create a sulphurous yellow glaze as I am a bit mad for yellow at the moment. I’ve also been working hard at throwing porcelain for my illustrated range – but felt it was time to try something a little different that relies simply on the surface effects and colour of the vessels in relation to the thrown shapes and the qualities of the material.

I completed a small body of work using some new glazes before going on sabbatical earlier this year and felt really pleased with how they came out of the kiln:

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Volcanic Yellow collection in the studio.

I took the pots to Frome artisan market this month, selling out before I’d even had a chance to take any proper product shots! I must admit I was quite surprised at the level of positivity to them. Here are a few shots of them before they went:

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Volcanic Yellow on display a the Frome Independent market.

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Logo-ed base of Volcanic Yellow mug

I’m really looking forward to getting back into the studio now and developing this range further – I’ve already thrown a new shape of jug to play with. Shown below, they are just now drying out ready for bisque firing. Maybe it will be part of the new Volcanic Yellow range, or maybe an illustrated piece, I will be test-firing a few different ideas:

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Adventures in Porcelain

January and February…the fairs are over, the festivities finished and the earth is hibernating and readying itself for germination. Much the same stage has been reflected here at As the Crow Flies. A really valuable period of reflective thought, sketching ideas, drawing on the ideas touch on in 2015 and pushing them further.

I’ve really enjoyed the chance to process carefully the throwing aims I’ve had, working towards cleaner shapes in porcelain, practising the motions of throwing and enjoying the smooth clean feel of porcelain after working in terracotta for so long. First out of the initial test firing was a Wild Pea serving bowl:

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Seeing the initial effects coming out on a few pieces enabled me to refine and progress the ideas…gradually more things came out of the kiln, building the bones of a new range of Dandelion and Wild Pea shapes; some of which are pictured below:

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I’m also pleased to have produced more satisfying wine tumblers and the first forays into vase production, but photos of these will have to come later. The final thing I played with was transposing my popular Nasturtium design from terracotta to porcelain – in tea cup form. Looking very Art Deco with it’s conical shape, I particularly like this example:

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All in all, I feel ready for this year…although I’ll have to put my anticipation on hold for a little while as I am taking a sabbatical from mid-March to mid-July to walk through Mustang in the Himalayas and then cycle the through the Pamirs in Tajikistan up into Kyrgyzstan. I’m sure the inspiration will be myriad so I look forward to posting when I get back.

Christmas is coming…

Wow, what a year… since my last post which was inexcusably long ago, As the Crow Flies has been very, very busy! New outlets at the Leeds Craft Centre and Design Gallery, 20/21 Gallery in Scunthorpe, Platform in Cleethorpes and Found in Dunbar have kept me very busy with my order books, add to that the crescendo of Christmas market madness over the past month and computer-related work outwith the studio has been at a bare minimum.

I’m looking forward to two final markets in ATCF’s Bristol hometown – first up is this Saturday, 12th December, 10am-5pm, for Christmas at the Orangery. Pleased to see this shot of my doilyware being used as a promotional piece:

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Hand coloured Porcelain Doilyware

A really lovely selection of fine local makers at one of Bristol’s best known Christmas fairs – Christmas at the Orangery is taking place in Henleaze at the Bradbury Hall. Very excited to be taking part for the first time, and to see the Doilyware range featuring in a lot of local publicity:

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The Bristol Magazine, December 2015.

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Henleaze and Westbury Voice, November 2015

Hope to see lots of local Bristolites there! Or if you can’t make that one then our final date will be Whiteladies Road Farmers’ Market on Saturday December 19th from 9-2pm. Have a wonderful festive season!

South Bristol Arts Trail

Really looking forward to this event on Sat 16th – Sun17th May! Our venue is going to be absolutely amazing… As the Crow Flies will be taking over the kitchen space with ceramics, illustration and home wares. Fuller maps will be exhibiting their utterly unique and brilliant map artworks of Bristol and beyond in the print room. Esther Curtis designs will be creating a lovely ambience with her beautiful graphics at the front of the house where you may be lucky enough to get a mini massage treatment from our lovely hostess Sam Lacey… all in all it’s going to be a complete sensory experience.

big mugs loAbove: As the Crow Flies illustrated bone china mugs © As the Crow Flies.

gareth mapAbove: a tiny snippet of the incredibly intricate Bristol Map, as featured on the BBC © Fuller Maps. Below: graphic illustration © Esther Curtis.

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We’ll be showing at 17 Ashton Gate Terrace, Southville, BS3 1TA so come along and find us. Follow the links below to find out about the other artists at the venue:

Sam Lacey – holistic massage therapist: 

www.relaxrestorerevive.com
https://www.facebook.com/RelaxRestoreRevive

 

Fuller Maps original artworks:

Fuller Maps

Esther Curtis design:

http://esthercurtisdesign.blogspot.co.uk

Find out more about the trail here: http://www.southbankbristolarts.co.uk/

Partridges in a Pear Tree…

So, shortly I’ll be unveiling some new designs at the British Craft Trade Fair event in Harrogate next month. My partridges are now busy getting sampled as tea towels and new mug transfers, which I’ll hope to be firing onto some bone china just in time to pack them off! Here is a sneaky peak at what they will be looking like…

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Above are two sets of mug designs – English partridges under a pear tree, and french partridges in a chorus line, how apt.  Tea towels will be in a two-colour screenprint in vibrant burnt orange and viridian, while the mugs I’m sampling in a retro ochre palette and a more jubilant magenta palette. We shall see what hits the spot when they’re ready in a week or two…

Acer Bowl in Ceramic Review

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So excited to see my acer serving bowl gracing the page of Ceramic Review this issue. Such a shock I nearly dropped my coffee! It’s featured in an advertorial for the British Craft Trade Fair which I’m taking part in next month. So pleased, it’s a new design in my hand painted and sgraffito decorated earthenware range.

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New Inspirations – Tree Themes

10390038_10152323059957133_2866024385991924260_nPleased with the work-in-progress on a new range of hand-illustrated earthenware… It’s my favourite way of working and I was thrilled to be commissioned by a good friend to produce Christmas presents for her extended family featuring favourite trees. The pictures here show work in the green ware stage – at present they are in the kiln cooling after their first bisque firing and will be glazed by the end of the week – must remember and post up some photos of the final pieces! Maple, Oak and Beech feature on these pieces, with some hidden personalisations such as imprints of leaves from family gardens inside the mugs.10610717_10152323309352133_3436202340150921515_n 10730999_10152323061527133_8483336425447139595_n 10734214_10152323062652133_6369216000558981153_n 10744022_10152323333202133_757224287_o image006

New Market Dates this Winter

I’m delighted to confirm that on Saturday and Sunday 15th-16th November As the Crow Flies will be at The Front Room Arts Trail, Totterdown, Bristol showing at Gaines Greengrocers, 198 Wells Rd, BS4 2AX. Looking forward to revealing some new pieces specially produced for the show.

Excited to be attending a fair in one of my favourite places in Bristol on Sunday 30th November 10am-4pm: Arnos Vale Christmas Fayre, Spielman Centre at Arnos Vale Cemetary, Bath Road, Bristol BS4 3AW.

On Friday December 12th 9am-3pm I’ll be attending Blandford Christmas Market, in the Corn Exchange, Blandford Forum, Dorset. Pastures new!

From now until Christmas there will be As the Crow Flies cards, mugs, tea towels and cufflinks at Room 212 shop and gallery on the Gloucester Road, Bristol.

Click on the blue links above to find out more about each market and shop.

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