Gallery

Nasturtiums

I’ve posted before about my evolving use of dandelions and how they have featured in so many ranges of my ceramics and homeware, both current and archived. Here I’m going to explore the many ways I’ve used nasturtiums in my work. Their shape, form, colour and vibrancy are an endless source of inspiration and fascination. As with all my botanical design work I begin with observed drawing.

Drawing nasturtiums in the garden, with tea in my bestselling Colour Peacock mug 😊

Drawing the flowers from life is my starting point for a whole host of designs across different media: transfer printed bone china ware; hand illustrated wheel thrown porcelain; colourful printed tea towels. You can see how just a handful of drawings can be put into so many different contexts and with such variety of end results.

Initially, using a drawing as reference, coloured underglazes are applied to each bisque-fired vessel.
The next stage is to draw in the precise lines using a very fine-nibbed bottle of black underglaze, this crisply picks out the coloured motifs.
The wheel thrown vessels are then dipped in translucent glazed and fired high at 1280C to achieve a bright close.
A trio of my Nasturtium Ware porcelain – inspired by 1930s Art Deco period china ware.

In contrast to this individually hand thrown, hand illustrated range – where each vessel is similar but unique in the exact placement or combination of flowers, buds and leaves – is my range of transfer printed bone china ware. For this I use a professional ceramic transfer print studio to digitally print my designs for me, which I then apply and fire on to Stoke-on-Trent bone china ware in my studio.

This design uses my black ink drawing, overlaid on a water coloured background.
This design uses a watercolour sketch of some nasturtiums.

The outcome is so different from the hand thrown ware, and is infinitely quicker to produce which is quite a relief. Popular thought the hand made range is, I don’t produce much of it as it is a very lengthy process with the layered colours and drawing which also makes it quite expensive. I do have a secret admiration for the uniformity of the bone china ware version too! My other major output with the nasturtiums is textile-based: bright, colourful tea towels in three different colourways.

The first iteration of the nasturtium tea towel – letting go with outrageously vibrant colours!
A recent update of the design with a stylish navy background and altered motif colours.
My latest addition Autumn 2020 – a first attempt at a proper repeat pattern with colours referencing typical 1930s transfer decorated china ware with contrast orange highlights.

And from the archives here are a couple of shots of my first ever nasturtium designs, produced using the traditional technique of slip decoration with sgraffito (scratching into the clay) to describe the outlines.

Bright earthenware soap dishes after their final glaze firing.
Raw soap dishes – the earthenware is illustrated before any firing takes place so that the slip can be applied and the clay can be scored into.
Earthenware nasturtium dish full of it’s eponymous flowers, this entry into the village flower show sadly did NOT win 😂
Irresistible!

Hedgeflora and beyond

Introducing a new set of bone china wares that I’ve been sketching, colouring, getting printed into decals and firing onto some beautiful Stoke-on-Trent bone china ware. Here are some shots of the finished pieces, followed by an explanation of the work in progress.

The flexibility of being able to accurately reproduce detailed drawings on ceramics using this method really inspires me – it’s a completely different approach from the handmade pieces and I love it as it allows me to produce consistent products that all work together.

This little lot has been in the pipeline since July so it’s great to be getting it ready in time for all the Christmas events this season.

Here are a few snapshots of how the designs begin, on paper. Sometimes in the garden with tea and sunshine, sometimes in the studio using blooms and seedheads gathered while walking.

nasturtium-wipdand-wipcow-pars-wip

I love this process. It makes me feel so connected to the work I do. It also allows me to be creative with the raw materials. Currently I am creating a couple of tea towels to go with the above designs. Because I can manipulate the images in whatever way I want to I am free to put them together in new ways. I got really inspired by the Fifties in the colouring and style of the drawings so I took it a step further for the Dandelion tea towel and turned elements of the sketch into a colourful repeat pattern.dand-tt-crop

It’s at the printers right now, so here’s hoping it looks good on unbleached cotton!

Adventures in Porcelain

January and February…the fairs are over, the festivities finished and the earth is hibernating and readying itself for germination. Much the same stage has been reflected here at As the Crow Flies. A really valuable period of reflective thought, sketching ideas, drawing on the ideas touch on in 2015 and pushing them further.

I’ve really enjoyed the chance to process carefully the throwing aims I’ve had, working towards cleaner shapes in porcelain, practising the motions of throwing and enjoying the smooth clean feel of porcelain after working in terracotta for so long. First out of the initial test firing was a Wild Pea serving bowl:

6 large wild pea bowl .jpg

Seeing the initial effects coming out on a few pieces enabled me to refine and progress the ideas…gradually more things came out of the kiln, building the bones of a new range of Dandelion and Wild Pea shapes; some of which are pictured below:

9 wild peas and dandelions7 wild pea large mug8 new bowls

I’m also pleased to have produced more satisfying wine tumblers and the first forays into vase production, but photos of these will have to come later. The final thing I played with was transposing my popular Nasturtium design from terracotta to porcelain – in tea cup form. Looking very Art Deco with it’s conical shape, I particularly like this example:

nasturtium tea cup

All in all, I feel ready for this year…although I’ll have to put my anticipation on hold for a little while as I am taking a sabbatical from mid-March to mid-July to walk through Mustang in the Himalayas and then cycle the through the Pamirs in Tajikistan up into Kyrgyzstan. I’m sure the inspiration will be myriad so I look forward to posting when I get back.

BCTF Harrogate

named stand lo

Well, what an amazing week it’s been – so much to learn and so much inspiration gained from the British Craft Trade Fair last weekend. I’ll be posting up more fully about all the other ceramicists I had the chance to meet and chat to. For now, though, here are a couple of shots of my stand at the show. As the Crow Flies was in the Newcomers Gallery, and I thoroughly enjoyed meeting all the other traders there and making friends with people producing everything from contemporary jewellery to beautiful knitted textiles. 

doily display lo

So many thanks to all the team at BCTF for creating such a great event, and to Angieof Craft&Design magazine for sponsoring the Newcomers’ Gallery and giving such a good talk and advice at the traders’ breakfast club.

South Bristol Arts Trail

Really looking forward to this event on Sat 16th – Sun17th May! Our venue is going to be absolutely amazing… As the Crow Flies will be taking over the kitchen space with ceramics, illustration and home wares. Fuller maps will be exhibiting their utterly unique and brilliant map artworks of Bristol and beyond in the print room. Esther Curtis designs will be creating a lovely ambience with her beautiful graphics at the front of the house where you may be lucky enough to get a mini massage treatment from our lovely hostess Sam Lacey… all in all it’s going to be a complete sensory experience.

big mugs loAbove: As the Crow Flies illustrated bone china mugs © As the Crow Flies.

gareth mapAbove: a tiny snippet of the incredibly intricate Bristol Map, as featured on the BBC © Fuller Maps. Below: graphic illustration © Esther Curtis.

esther curtis

We’ll be showing at 17 Ashton Gate Terrace, Southville, BS3 1TA so come along and find us. Follow the links below to find out about the other artists at the venue:

Sam Lacey – holistic massage therapist: 

www.relaxrestorerevive.com
https://www.facebook.com/RelaxRestoreRevive

 

Fuller Maps original artworks:

Fuller Maps

Esther Curtis design:

http://esthercurtisdesign.blogspot.co.uk

Find out more about the trail here: http://www.southbankbristolarts.co.uk/

Partridges in a Pear Tree…

So, shortly I’ll be unveiling some new designs at the British Craft Trade Fair event in Harrogate next month. My partridges are now busy getting sampled as tea towels and new mug transfers, which I’ll hope to be firing onto some bone china just in time to pack them off! Here is a sneaky peak at what they will be looking like…

pinky colours retro colours

 

Above are two sets of mug designs – English partridges under a pear tree, and french partridges in a chorus line, how apt.  Tea towels will be in a two-colour screenprint in vibrant burnt orange and viridian, while the mugs I’m sampling in a retro ochre palette and a more jubilant magenta palette. We shall see what hits the spot when they’re ready in a week or two…

British Craft Trade Fair

Exciting news! As the Crow Flies will be attending the British Craft Trade Fair this April with a stand in the Newcomers’ Gallery. Here’s a screengrab of As the Crow Flies’ online catalogue page:

ATCF BCTF

It’ll be the first trade-specific event ATCF has been to, so lots of development work is underway… Some new designs in the pipeline as well as research going into laser-cutting some original ATCF illustrations to bring a new dimension to the slab built porcelain range.

Looking forward to this event so much!

New Inspirations – Tree Themes

10390038_10152323059957133_2866024385991924260_nPleased with the work-in-progress on a new range of hand-illustrated earthenware… It’s my favourite way of working and I was thrilled to be commissioned by a good friend to produce Christmas presents for her extended family featuring favourite trees. The pictures here show work in the green ware stage – at present they are in the kiln cooling after their first bisque firing and will be glazed by the end of the week – must remember and post up some photos of the final pieces! Maple, Oak and Beech feature on these pieces, with some hidden personalisations such as imprints of leaves from family gardens inside the mugs.10610717_10152323309352133_3436202340150921515_n 10730999_10152323061527133_8483336425447139595_n 10734214_10152323062652133_6369216000558981153_n 10744022_10152323333202133_757224287_o image006

Hand Painted Porcelain Cufflinks

Introducing a fine new range of rather jaunty hand made and hand painted porcelain and antiqued brass cufflinks…

10553469_908420602505015_1744850935811353932_n

Continue reading