I’ve posted before about my evolving use of dandelions and how they have featured in so many ranges of my ceramics and homeware, both current and archived. Here I’m going to explore the many ways I’ve used nasturtiums in my work. Their shape, form, colour and vibrancy are an endless source of inspiration and fascination. As with all my botanical design work I begin with observed drawing.
Drawing the flowers from life is my starting point for a whole host of designs across different media: transfer printed bone china ware; hand illustrated wheel thrown porcelain; colourful printed tea towels. You can see how just a handful of drawings can be put into so many different contexts and with such variety of end results.
In contrast to this individually hand thrown, hand illustrated range – where each vessel is similar but unique in the exact placement or combination of flowers, buds and leaves – is my range of transfer printed bone china ware. For this I use a professional ceramic transfer print studio to digitally print my designs for me, which I then apply and fire on to Stoke-on-Trent bone china ware in my studio.
The outcome is so different from the hand thrown ware, and is infinitely quicker to produce which is quite a relief. Popular thought the hand made range is, I don’t produce much of it as it is a very lengthy process with the layered colours and drawing which also makes it quite expensive. I do have a secret admiration for the uniformity of the bone china ware version too! My other major output with the nasturtiums is textile-based: bright, colourful tea towels in three different colourways.
And from the archives here are a couple of shots of my first ever nasturtium designs, produced using the traditional technique of slip decoration with sgraffito (scratching into the clay) to describe the outlines.
Introducing a new set of bone china wares that I’ve been sketching, colouring, getting printed into decals and firing onto some beautiful Stoke-on-Trent bone china ware. Here are some shots of the finished pieces, followed by an explanation of the work in progress.
The flexibility of being able to accurately reproduce detailed drawings on ceramics using this method really inspires me – it’s a completely different approach from the handmade pieces and I love it as it allows me to produce consistent products that all work together.
This little lot has been in the pipeline since July so it’s great to be getting it ready in time for all the Christmas events this season.
Here are a few snapshots of how the designs begin, on paper. Sometimes in the garden with tea and sunshine, sometimes in the studio using blooms and seedheads gathered while walking.
I love this process. It makes me feel so connected to the work I do. It also allows me to be creative with the raw materials. Currently I am creating a couple of tea towels to go with the above designs. Because I can manipulate the images in whatever way I want to I am free to put them together in new ways. I got really inspired by the Fifties in the colouring and style of the drawings so I took it a step further for the Dandelion tea towel and turned elements of the sketch into a colourful repeat pattern.
It’s at the printers right now, so here’s hoping it looks good on unbleached cotton!
As the Crow Flies studio has been busy of late after some frustrating time off with a slipped disc… Continue reading
Just a quick post to share some images of a couple of pieces of commission work I have recently finished… a great pleasure to make and so nice to have the opportunity to really stretch out the creative juices.
Number one is a bespoke set of nasturtium illustrated earthenware – 2 large mugs and a serving bowl…