The experiments with colour block brights and layered leopard print effect glazes are coming along too. I’m really excited by this range and once a few firing difficulties have been ironed out I’m going to be making this my primary product I think.
Volcanic Yellow Stack
Volcsnic Yellow fluted beakers
Volcanic Yellow and Storm Blue mugs
I’d never really tried doing anything with out surface illustration before – that is my area of expertise and what I’ve always loved doing. Having the freedom just to think about shape and colour and the graphicness of the 3D objects themselves is really exciting to me and a bit of a breakthrough in my practice. Refreshing not just to simply see the vessel as a canvas for mark making.
Had the pleasure of going home to Fife for a week last month and took up a load of wares and commissions to show and sell to friends and family. Aside from the excitement of our triple birthday (me, my dad and my brother-in-law share the same date and traditionally blow out our candles together, something I wouldn’t miss for the world), it was great to share what I’ve been doing over the past 6 months with everyone.
Well, I never thought I’d do this, but I’m adding another new string to the bow – to get around the problem of creating greater intricacy on my illustrated pieces I have started to produce hand-applied transfer ware in my studio. It’s a revelation to have perfect reproductions (or at least when the firings work…!) of my drawings and paintings on porcelain. It works on both stock porcelain and handthrown ware, I have found. So, it can have a more handcrafted feel incorporating hand painting and throwing or a more conventional feel which has its own appeal.